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European folk tales

1951
Verlag, Manesse
Manesse-Library
This book can be read in the MoneyMuseum library.

The book European Folktales, edited by Max Lüthi and with book decoration by Georgette Boner, is an impressive collection of folktales from all over Europe. This collection is not only a testimony to Europe's cultural diversity, but also a reflection of the common human experiences that have developed in the various countries and cultures over the centuries.

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The fairy tales in this collection come from a variety of countries, including Denmark, Sweden, Norway, England, Ireland, Belgium, France, Spain, Portugal, Italy, Austria, Switzerland, Germany, the Baltic States, Finland, Russia, Poland, Czechoslovakia, Hungary, Yugoslavia, Romania, Bulgaria, Greece and Albania. Each of these countries brings its own unique cultural perspective and storytelling tradition to the collection, resulting in a wide range of tales from hero's journeys and trials to love stories and cunning tricks.

One notable aspect of this collection is the variety of tales included. There are fairy tales that take up classic themes such as the battle between good and evil, such as in "Ivas and the Witch" from Russia or "The Immortal Koshchey". Other fairy tales deal with the theme of cunning and intelligence, such as "The Cunning Ileane" from Romania or "The Girl in the Box" from Albania. Still other stories, such as "The Princess in the Tree" from Germany or "The Forgotten Bride" from Greece, deal with the themes of love and loss.

It is also interesting to note how some fairy tales take up similar motifs, even though they come from different countries. For example, the Norwegian story "Kari Holzrock" and the Finnish tale "A Head, Do You Confess?" have similar themes of self-discovery and overcoming obstacles. These parallels show how folk tales deal with universal human themes that are independent of geographical and cultural differences.

Max Lüthi's selection of fairy tales also reflects the importance of storytelling as a cultural heritage. Fairy tales have traditionally been passed down orally, often from generation to generation, and have changed and adapted over time. In this collection, however, Lüthi has tried to preserve the fairy tales in their original form, giving readers an authentic insight into the storytelling traditions of different countries.

The illustrations by Georgette Boner contribute significantly to the atmosphere of the collection by visually bringing the stories to life and stimulating the reader's imagination.

Overall, European Folktales is a valuable collection that not only entertains, but also educates and stimulates thought. It shows how deeply rooted fairy tales are in European culture and how they help to promote understanding and appreciation of Europe's diverse cultures.