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Musical novellas

1951
Verlag, Manesse
Manesse-Library
This book can be read in the MoneyMuseum library.

The collection "Musical Novellas", edited and with an afterword by Emil Staiger, presents various literary works that deal with music in one way or another. This selection offers a fascinating insight into the close connection between music and literature and shows how differently authors from different eras and countries have dealt with musical themes in literature.

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Heinrich von Kleist's novella "Die heilige Cäcilie oder die Gewalt der Musik" deals with the mystical power of music, which puts the protagonists into a trance-like state. Here, music is portrayed as a supernatural force that has a profound influence on people's behavior and fate. Kleist portrays music as something sacred that blurs the boundary between this world and the hereafter.

Gustavo Adolfo Bécquer's "Master Perez, the Organist" sheds light on the figure of a blind organist whose playing touches people's hearts. Music is portrayed here as a medium that transcends the physical world and creates a spiritual connection between the artist and the listener. Bécquer shows the deeply emotional effect of music on people and the artist's dedication to his art.

Ivan Turgenev's "The Singers" focuses on a singing competition in which two simple peasants duel through their music. The story shows how music functions as an expression of life and the soul and has the ability to break through social hierarchy. Music is portrayed as a universal language that can be understood and felt regardless of social status or education.

Franz Grillparzer's "Der arme Spielmann" is a moving story about a failed musician who, despite his obvious shortcomings, finds deep fulfillment in his music. Grillparzer raises questions about the value and importance of art and artists in a society that values material rather than artistic success.

The novella "Gambara" by Honoré de Balzac focuses on the life of an eccentric composer who oscillates between genius and madness. Music is portrayed here as an obsession that distances the artist from reality and plunges him into a world of fantasy and illusion. Balzac shows the dangerous side of musical passion, which isolates the artist from society.

The other novellas in the collection, including works by Aldous Huxley, E. T. A. Hoffmann, Eduard Mörike and Gottfried Keller, complete the picture of music as a powerful, often mystical force that deeply influences people's lives. With this selection, Emil Staiger has created a work that illuminates the many facets of music in literature and gives the reader the opportunity not only to hear music, but also to experience it in literary terms. The collection shows how music echoes in its universal meaning in the literature of different cultures and epochs.